Humans since 1982

ClockClock 24

A million times

Introduction

ClockClock 24 is a hypnotic union of art, time, and technology. As a highly sophisticated art piece, ClockClock 24 had, up until our involvement, been produced in very small quantities. Its original production setup indicated that there was room for improvement that could make the art piece technologically stand out. Its creators, Humans since 1982, commissioned us to overhaul the technological and production process entirely. Ultimately, creating a whole new technical solution that would enable higher production volumes with much fewer scrap – and way more flexibility.

Blending Analog and Digital Clocks: Humans Since 1982 Makes the Clock Clock "A Million Times" Better.

Rain Noe

Core 77


Timeless Engineering

In order to create a streamlined production and a better user experience, an entire overhaul was necessary. We did a complete tear-down of the setup – from mechanical parts and hardware to electronics – and analyzed every aspect of the production and assembly process, from start to finish. The redesign was then applied to two separate areas: DFM (Design for Manufacturing), a new design of mechanical parts, and hardware PCBs. And DFA (Design for Assembly) with a focus on optimizing the parts for a leaner, more efficient production process with a higher yield rate.


Timeless Functionality

On the surface, ClockClock 24 is still the same mesmerizingly beautiful piece of art. However, its technology has been revamped to reflect the same level of sophistication as its aesthetics. The redesigned, module-based solution allows for easier updates and repairs. We sourced new production suppliers for both custom and shelf parts and chose new materials for better functionality – with room for future variation. Additionally, a completely new setup for an in-house assembly line gives the client full control of production. Fully functional engineering prototypes allow them to try out new combinations.


About

Humans since 1982 are Bastian Bischoff (b. 1982, Germany) and Per Emanuelsson (b. 1982, Sweden). Since meeting as postgraduate students at HDK Göteborg in 2008, the duo has produced works that defy easy categorization, situated between visual art and product design. Creating objects and experiential installations, their work manages to be analytical with a healthy dose of escapism. The Humans since 1982 studio is based in Stockholm, and now comprises a large group of specialists with different professional and cultural backgrounds.

Year

2016-2018

Capabilities

Electronics Engineering Mechanics Engineering Supply Chain Management Production Setup

Credits

Photography/Scenography: Joachim Bergström

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